The relentless slog of this pandemic has, undeniably, left a lot of us bereft of human physical contact. What seemed manageable to handle for a month or two — no hugging outside of your household pod, no new dates without rigorous measures — is starting to feel like a real and permanent loss.
As an adult erotic filmmaker myself, I’m painfully aware that the adult film industry has of course been terribly hard-hit by the ban on physical contact. In-person shooting of couples and groups has, by necessity, slowed to a sanitary trickle.
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I feel very lucky that I finished shooting my erotic film Wild Card before Amsterdam’s lockdown in spring 2020. I was able to cobble together my favorite postproduction crew — editor/colorist/compositor, sound designer, motion graphics designer, composers — and work remotely together over the following months to get it done.
More than just being proud that we got a film finally made in the depths of a pandemic, watching Wild Card now fills me with hope. I concepted it well before the pandemic, but what fills the screen now, I realize, is a love letter to human touch which makes me practically ache with nostalgia.
Like with all my movies, Wild Card is meant to evoke the feeling I love in sex: The excitement and erotic pull of guessing what exactly will happen next because you and your partner are improvising together as you go. It’s been a fun challenge to represent this dynamic through different film forms. Wild Card is my latest “erotic game” movie, in which Bishop Black and Kali Sudhra themselves have no idea what will happen next. I gave them a simple game: Around the room are hidden various playing cards, each with the name of a typically nonsexual body part — elbow, eyelashes. The only instruction is to enjoy yourselves by playing around with that body part as long as it remains fun, then pick another card. What made this film different for me than my others is that I already knew how important it would be to bring out the erotic sensations of very small movements, like eyelashes brushing a cheek. So this was my first experience integrating a high-frame-rate macro lens camera into my shooting — I really wanted the viewer to feel they were practically pressed up against Bishop and Kali in those moments. When we see Kali’s hair, we are inside her hair, even smelling the fragrance of her hair. Combined with the fun and giddy way that Bishop and Kali start out the film together, laughing uncontrollably, the physical and emotional intimacy weave together in such a warm way that I almost didn’t expect it when it shifts into heavy breathing and climax. And now, during the pandemic, it feels surreal and rebellious to be this physically close to someone else; it’s now a privilege.
I was lucky to have a film already shot which I could work on during lockdown. For most filmmakers, crew, and especially performers, 2020 left us stuck in a holding pattern for creating new work. Those of us with footage already “in the can” were fortunate. It was very difficult to assemble a new cast of two or more performers who are already sharing a pandemic pod and thus allowed to kiss and caress and have sex. Adding multiple crew members to the mix was risky and very difficult.
But that didn’t stop us, and film lovers worldwide, from enjoying the films recently made and still well available for sensual enjoyment. Some filmmakers, like myself, host their own platforms for film lovers to visit. And the various erotic film festivals in the USA and Europe —CineKink, P*rn Film Festival Vienna, San Francisco P*rn Film Festival, UNCENSORED Fest, Satyrs and Maenads Athens P*rn Film Festival, London Fetish Film Festival, London P*rn Film Festival — still largely went forth, thanks in large part to the erotic platform PinkLabel.tv, who created an adult-friendly festival interface which they donate to erotic film festivals as a selfless community exercise.
So, as someone who deeply enjoys the wide variety of sexy cinema that’s available with only a little digging, I offer a few of my recent movie picks by filmmakers who have been creating amazing work just prior to the pandemic, who have managed to still create during lockdown, and whom I definitely believe are filmmakers to watch in 2021.
Noel Alejandro – Serodiscordantes and the Bedtime Stories series
Nakedly emotional, dealing with breakups, love, loss, fear of death, and family abandonment, Spanish-born director Noel Alejandro’s films integrate explicitly erotic gay sex scenes into stories that demonstrate that sexuality is powerful enough to heal emotional wounds in a way that nothing else can.
Often sun-drenched in natural light, the gay male characters in Alejandro’s films are close enough to touch — furry bodies, peach fuzz, stubble on their cheeks are all within reach. And unlike a lot of gay adult film, his characters range in age and body type, adding to his films’ sense of realism.
In Serodiscordantes (Serodiscordant), Miguel is having nightly disturbing dreams about his live-in partner Evaristo. Moving into their new apartment, which they joke might be haunted, they start playing with mystical tools for fun — a divining crystal, a Ouija board. Unearthing private secrets, they lift their relationship into a new dimension.
Alejandro recently launched a new short film series, Bedtime Stories, with a similar natural aesthetic and embrace of emotion as his other work. He shot some before the pandemic and others during the lowering of the regulations in Berlin during the summer, leading to five finished films released. He also released the freestanding Under The Rain, an existential expression of what it means for adult film creators to deal with the stigma of making sex films.
Given how much Alejandro’s body of work has revolutionized perceptions of what gay adult film can be, to rave reviews from all over Europe and beyond, he’s certainly a filmmaker to watch.